More animal architecture
I’m not sure if it’s the fact that my brain was soaked in Beatrix Potter at a young and impressionable age, or maybe it’s just the profundity of the drawings of Daniel Arsham.
I’m not sure if it’s the fact that my brain was soaked in Beatrix Potter at a young and impressionable age, or maybe it’s just the profundity of the drawings of Daniel Arsham.
More from the exhibition Japanese Art and Design at MAD recently which showcased art objects from the museum’s permanent collections, by Japanese artists. Silk fronds simply …
embroidery dealing with issues of quantification, irregularity, and the classification and imposition of order on things that defy or elude imposition.
It’s ability to create illusion, define space without and within, and it’s dichotomous nature allures us. It is a protection and an exposure at once. It is a controller of the senses and an elevator.
…the rain also captures the halo glow of bright lights and the effervescent energy that never sleeps!
…this penchant to revisit fabric treatments a la textile in interiors; we saw it with lace, and net, via Marcel Wanders, and now here we have the Elizabethan Ruff!
They were big and little creatures. Some were hairy with long, thin tails, and some had noses long as pokers. Some had bulging eyes and some had 20 toes. In they came — crashing through the door, sliding down the chimney, crawling through the windows. They shouted and cried. They banged pots and pans. They twirled their tails and tapped their toes upon the wooden floor. The Brothers Grimm
Australian Bookbinding has it’s annual showing at the AGNSW, ending tomorrow. Various designers playing with the idea of graphic enticements of the book covering variety. …
Currently admiring the work of René Fumeron, a French designer whose work with both Gobelin and Pinton Frères factory in Aubusson is a shining testament to the 50s and 60s.
Author: admin